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Il Ponte II
Gustav van Treeck
Studios for Mosaic and Architectural Art, Munich
Mosaic Garden, Munich
„Il Ponte I + II“ by Christoph Brech
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REMATERIALIZED: FROM DIGITAL BACK TO ANALOGUE
- Gustav van Treeck designs Munich mosaic garden by means of video art
Munich, 10th June 2015 – In the north-eastern part of Munich Westfriedhof, a piece of video art by the Munich artist Christoph Brech is rematerialized: Approx. 180.000 earth-coloured, black, violet, blue and green tesserae are assembled to form two motifs recreating Brech’s designs based on a video work. Together, the two glass mosaics form the centrepiece of and lend their name to the new communal facility for urn graves of the city.
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Posted 30 June 2015
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The two wall mosaics covering more than 10 square meters each have meticulously been laid by hand in the Gustav van Treeck Studios. With square tesserae of one centimetre (smalts), the motifs of a length of seven meters and a height of 1,37 meters create the impression of one harmonious picture. In addition, the mosaicists of the workshops used 66.000 square smalts for the walls and floors of two medium blue water basins which invite visitors to the graveyard to take some time to pause. The material used comes from Venice, where it is broken by hand in the centuries old traditional manner.
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Gustav van Treeck
Studios for Mosaic and Architectural Art, Munich
Mosaic Garden, Munich
„Il Ponte I + II“ by Christoph Brech
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Unique surface of hand-cut mosaic smalt
Gustav van Treeck
Studios for Mosaic and Architectural Art, Munich
Mosaic Garden, Munich
„Il Ponte I + II“ by Christoph Brech
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Mosaic, glass mosaic
The oldest mosaics made of stone have been found in Mesopotamia near the city of Ur. They date from Sumerian times, about 2.500 – 3.000 BC. The word "mosaic" comes from "musa", named after the nine muses of Greek mythology, daughters of Zeus. They were considered to be protectors of the sciences and the arts.
The ancient decoration technique was already popular with the Greeks and Romans. Especially in recent times, a renewed interest in mosaics can be clearly observed among building authorities, artists and architects. By joining small pieces to create images and ornaments, the mosaicist, so to speak, paints with different materials.
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On Gustav van Treeck, Munich
The Gustav van Treeck Studios stand for tradition and innovation: In cooperation with internationally renowned artists they create masterpieces of modern glass painting, glass sculptures, exclusive mosaics, works in float glass painting or fusing technology, glass and mosaic restorations as well as reconstructions. Whenever art is created to enhance an architectural project or to conserve an architectural masterpiece the studios are there to guide and assist.
The Munich studios were founded in 1887. The early years have been dominated by commissions for architectural glass in churches and for secular buildings. In 1903, as an appreciation of their contribution to the arts, the studios were granted the title 'Bayerische Hofglasmalerei' (Bavarian Court Glasspainters) by the Royal Bavarian Court. Already prior to 1900 and increasingly so in the Art Nouveau and Art Deco periods, the studios activities became more and more international. The first mosaics were manufactured in 1910.
GUSTAV VAN TREECK – WERKSTÄTTEN FÜR MOSAIK UND GLASMALEREI GMBH
Gustav van Treeck - Studios for Mosaic and Architectural Art
Schwindstraße 3
D - 80798 Munich
www.hofglasmalerei.com
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